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Voices from both center stage and behind the scenes come together, far from the industry’s standardized portrayals of womanhood.\u003cbr\u003eMore than just an aesthetic object, Blurry Papers is a platform for exchange and reflection, where intimacy and feminine identity are shared freely.\u003c\/p\u003e","brand":"Bonjour Jacob","offers":[{"title":"Default Title","offer_id":51137539899730,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0689\/0999\/0171\/files\/blurry.webp?v=1780662464"},{"product_id":"pornceptual-fluids-5","title":"Pornceptual Fluids #5","description":"\u003cp\u003e\u003cspan\u003eFor this issue of the magazine, we were deeply inspired by the idea of fluidity, how it enables transformation and allows us to escape the rigidness of dominant cultural norms. \u003c\/span\u003e\u003cspan\u003eA fluid, after all,\u003c\/span\u003e \u003cspan\u003ehas no fixed shape. Its ephemeral state is a powerful metaphor for change. Fluidity \u003c\/span\u003e\u003cspan\u003eallows us to be mutable and malleable in favour of a more dynamic, ever-changing experience. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWe have challenged our contributing artists to incorporate liquids in any form – whether physical or symbolical\/metaphorical. You’ll find work exploring water, paint, and multiple other liquids. Since fluids are also an integral part of sex in it’s purest form, this issue also explores different body fluids in relation to sexual gratification: cum, squirting, spit,  piss, blood, sweat, and tears.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen applied to gender and sexuality, fluidity is a rejection of heteronormative boundaries. \u003c\/span\u003e\u003cspan\u003eIt extends to our relationships, our identities, our bodies. \u003c\/span\u003e\u003cspan\u003eIt allows us to live life as our true selves, constantly evolving our identities and expressions.\u003c\/span\u003e\u003c\/p\u003e","brand":"Bonjour Jacob","offers":[{"title":"Default Title","offer_id":51146133438802,"sku":null,"price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0689\/0999\/0171\/files\/PornceptualFluids_5.png?v=1780661970"},{"product_id":"wild-life-the-life-and-work-of-charley-harper","title":"Wild Life - The Life And Work Of Charley Harper","description":"\u003cp\u003e\u003cspan\u003eLadybugs, birds, dogs, and owls. 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Le titre, à lui seul, intrigue et dépayse.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e« Il y a l’histoire du nom, d’origine allemande, qui interroge beaucoup les gens et dont je parle peu »\u003c\/em\u003e, confie l’artiste. Tout est né d’un souvenir d’enfance : des petits avions en polystyrène qu’il assemblait autrefois, et qu’il a retrouvés des années plus tard sous forme d’un stock venu d’Allemagne.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e« J’en ai reçu des centaines, que j’ai partagés avec mes amis. De là est née une vidéo, Build a plane, point de départ de ma réflexion. Ce souvenir m’a fait en créer de nouveaux, que j’ai figés sur pellicule. Le projet est devenu\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eBaueneinflugzeug\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e— construire un avion. Ce mot demande à être creusé, j’aime ça ».\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eCe voyage intime nous embarque dans des paysages tantôt familiers, tantôt mystérieux. 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Une archive complexe, vivante et contemporaine de cette mise à jour 2025 de l'histoire de \u003cem\u003eLa Haine\u003c\/em\u003e. \u003c\/p\u003e\n\u003cp class=\"sqsrte-small preFade fadeIn\"\u003e\u003cstrong\u003e\u003cspan\u003ePréfaces par Ramsès Kefi (journaliste) et Médine (rappeur). \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eExceptionnellement pour cet ouvrage en collaboration entre deux photographes,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003enous proposons deux éditions distinctes\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e: une édition\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWilliam Keo\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eet une édition\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eYaman Yamsonite Okur\u003c\/em\u003e. Chacune de ces éditions présente\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eune couverture originale\u003c\/strong\u003e, mais l'intérieur est le même. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e*multicouv ! Un exemplaire sera soigneusement choisi au hasard pour vous. \u003c\/p\u003e","brand":"Bonjour Jacob","offers":[{"title":"Default Title","offer_id":52144448340306,"sku":"X740696","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0689\/0999\/0171\/files\/Jusqu_icirienn_achange-W.KeoetY.Okur.png?v=1764682637"},{"product_id":"flowers-vol-1-t-freitas","title":"Flower'(s) vol.1 - T. Freitas","description":"\u003cp\u003e\u003cstrong\u003eFlower(s) — Vol. 1 \u003c\/strong\u003e(\u003cem\u003eI wonder whose skin this crimson flower will touch\u003c\/em\u003e) est une collection de livres sur les fleurs, par Teresa Freitas. Le principe : un pays, une fleur, un livre. \u003c\/p\u003e\n\u003cp\u003eDans cette collection : \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003echaque titre est tiré d'un poème écrit dans le pays en question, \u003c\/li\u003e\n\u003cli\u003echaque édition spéciale\/collector est imprimée dans la couleur de la fleur éclose,\u003c\/li\u003e\n\u003cli\u003echaque livre est parfumé d'un parfum co-créé avec Flair Paris à partir de la fleur étudiée — le parfum est disponible en flacon dans l'édition collector\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eI WONDER WHOSE SKIN THIS CRIMSON FLOWER WILL TOUCH\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eest le premier volume d'une collection consacrée aux fleurs. Pour cette première édition, Teresa nous présente la\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ecarthame\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003edes teinturiers (\u003cem\u003esafflower\u003c\/em\u003e)\u003cstrong\u003e au Japon\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e(province de Yamagata). Dans une démarche d'abord documentaire, la photographe s'intéresse depuis plusieurs années aux fleurs, aux métiers qui gravitent autour de ces plantes si délicates et aux personnes qui les élèvent. La publication présentée ici est elle composée comme un poème, de manière plus abstraite et muette, afin de traduire une ambiance et une atmosphère particulière. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTERESA FREITAS\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(Lisbonne, 1990) est une photographe et coloriste portugaise qui mélange les genres de la rue, du documentaire et des beaux-arts. 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Loin des images de carte postale, il déploie un regard contemplatif sur la relation entre l’humain et le paysage — une traversée d’espaces dépouillés où la lumière et l’ombre dialoguent, se frôlent, s’équilibrent.\u003c\/span\u003e\u003c\/p\u003e","brand":"Bonjour Jacob","offers":[{"title":"Default Title","offer_id":52144554082642,"sku":"604179L","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0689\/0999\/0171\/files\/OmbresClaires.png?v=1780681002"},{"product_id":"happy-victims","title":"Happy Victims, Kyoichi Tsuzuki","description":"\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003eBetween 1999 and 2006, before fast fashion and social media changed the world forever,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eKyoichi Tsuzuki\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003epublished\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e87 instalments of his Happy Victims series\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ein the fashion magazine\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan data-contrast=\"auto\"\u003eRyuko Tsushin\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-contrast=\"auto\"\u003e. In cramped quarters across Tokyo, these anonymous disciples joyously detailed the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eritual and the sacrifice of their brand-name obsessions\u003c\/strong\u003e. A Buddhist monk with a\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eComme des Garçons\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eshopping habit, an\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAlexander McQueen\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ecollector listening to neighbours through paper-thin walls—photographed at home, their collections before them, Kyoichi’s anti-heroes exist in parallel to the fashion universe of fame, fantasy, and glamour.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003ci\u003eHappy Victims\u003c\/i\u003e\u003c\/strong\u003e\u003cspan data-contrast=\"auto\"\u003e\u003cspan\u003e \u003c\/span\u003ewas first published in book form in 2008. Long out of print, this edition follows\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eApartamento’s reissue of Kyoichi’s earlier seminal work\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e, \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eTokyo Style.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e \u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-AU\" class=\"TextRun SCXW157767869 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW157767869 BCX0\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eThe \u003c\/span\u003enew hardcover design comes with an updated foreword by the author, Japanese photographer Kyoichi Tsuzuki, and an introduction by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eIsabella Burley of Climax Books\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-AU\" class=\"TextRun SCXW81612969 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW81612969 BCX0\"\u003eWhile the cover and belly band have been completely reworked, in collaboration with designer\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eHan Gao\u003c\/strong\u003e, the book’s interior\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW81612969 BCX0\"\u003emaintains\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW81612969 BCX0\"\u003e\u003cspan\u003e \u003c\/span\u003ea simple, documental format:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eone happy victim per spread\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW81612969 BCX0\"\u003eKyoichi\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW81612969 BCX0\"\u003e’s photos supplemented by a short commentary on the individual and his or her daily schedule.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW81612969 BCX0\"\u003eN\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW81612969 BCX0\"\u003eot\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW81612969 BCX0\"\u003etypically\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW81612969 BCX0\"\u003emembers of the leisure class, the goths, Lolitas, and\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003estringent Margiela fans\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003emust also go to work and find time to care for their clothes. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePublished by Apartamento Publishing S.L.\u003cbr\u003eRelease date: July 8, 2025\u003cbr\u003eDimensions: 300 x 230 mm\u003cbr\u003ePages: 184 pages\u003cbr\u003eBinding: Hardcover\u003c\/p\u003e","brand":"Bonjour Jacob","offers":[{"title":"Default Title","offer_id":53395477987666,"sku":"501047R","price":59.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0689\/0999\/0171\/files\/original_7344b7c5-c4dd-491f-a0f4-223f19cfd113.jpg?v=1778510912"},{"product_id":"coincidence-jeremy-liebman","title":"Coincidence, Jeremy Liebman","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cem\u003eCoincidence\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis the debut photobook by photographer Jeremy Liebman\u003c\/strong\u003e\u003cspan\u003e, exploring family, memory, and ideas of home through black-and-white photography. Spanning Dallas, Texas; Brooklyn, New York; and the English countryside, the book follows \u003c\/span\u003e\u003cstrong\u003ethree generations of the Liebman family, capturing their lives as they unfold in parallel\u003c\/strong\u003e\u003cspan\u003e. After more than a decade contributing to the visual aesthetic of \u003c\/span\u003e\u003cem\u003eApartamento\u003c\/em\u003e\u003cspan\u003e magazine across 16 features, Jeremy \u003c\/span\u003e\u003cstrong\u003eturns his lens inward to create an intimate family portrait\u003c\/strong\u003e\u003cspan\u003e. The book centres on a poignant dialogue between his late father, the photographer Richard Liebman, and his young grandchildren: as they reach out to the world, Jeremy’s father’s grasp on language slowly loosens and his hold on memory slowly wanes. Somewhere between them, \u003c\/span\u003e\u003cstrong\u003eJeremy finds an aperture—the possibility that they are, momentarily, seeing the world in a similar way\u003c\/strong\u003e\u003cspan\u003e. \u003c\/span\u003e\u003cem\u003eCoincidence\u003c\/em\u003e\u003cspan\u003e traces this convergence through \u003c\/span\u003e\u003cstrong\u003efragile fragments of domestic life\u003c\/strong\u003e\u003cspan\u003e. Fallen books echo the collapse of language; various faces of the home—the childhood home, the nursing home—appear uncanny, promising tenderness and fullness while at times reduced to a façade, emptied out both literally and metaphysically. Set within the flow of Jeremy’s family life, \u003c\/span\u003e\u003cstrong\u003ethe photographs become a meditation on time and inheritance\u003c\/strong\u003e\u003cspan\u003e, forgetting and remembering—on grappling with language at both its beginning and its end.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by Apartamento Publishing S.L.\u003cbr\u003eRelease date: February 4, 2026\u003cbr\u003eDimensions: 240 x 210 mm\u003cbr\u003ePages: 96\u003cbr\u003eBinding: Hardcover\u003c\/span\u003e\u003c\/p\u003e","brand":"Bonjour Jacob","offers":[{"title":"Default Title","offer_id":53395480084818,"sku":"692558C","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0689\/0999\/0171\/files\/original_3fa10a90-6509-47bf-b707-5ff7820dd62a.jpg?v=1778510961"},{"product_id":"epoch-4","title":"Epoch #4","description":"\u003cp\u003e\u003cem\u003eDue to the limited stock, we are not able to guarantee a specific cover at the time of order.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEPOCH issue 04 is a special issue made in close collaboration with the Archaeological Park of Pompeii. Over a year in the making, this issue explores the UNESCO World Heritage Site in a radical way, with 480 pages containing over 20 commissioned photographic shoots, 30 interviews, 5 thought pieces, unseen archival imagery, and hundreds of hours of work.\u003c\/p\u003e\n\u003cp\u003eThis issue features exclusive interviews with renowned historian Mary Beard, the archaeologists of Pompeii and its director Gabriel Zuchtriegel, along with artists, photographers, and contemporary creatives including: Harley Weir, Wade Guyton, Marc Goehring, Bruno Staub, Zoe Natale Mannella, Paul Kooiker, Thomas Prior, Jonas Lindstroem, Debra Shaw, Nadine Fraczkowski, David Zilber, Jeremy Deller, Adrian Maben, and many more.\u003c\/p\u003e","brand":"Bonjour Jacob","offers":[{"title":"Default Title","offer_id":53395481887058,"sku":"6958474","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0689\/0999\/0171\/files\/EPOCH4_Covers_10_600x_jpg.jpg?v=1783347917"},{"product_id":"revue-21","title":"Revue #21","description":"\u003cdiv id=\"elementy1\" class=\"elementy elementy-une_colonne\"\u003e\n\u003cdiv class=\"paragraphe\"\u003e\n\u003cdiv class=\"paraphcont\"\u003e\n\u003cp class=\"surtitre\"\u003eNouveau format \/ 29 x 39 cm \/ 128 pages \/ newspaper \/ 6 posters\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"elementy2\" class=\"elementy elementy-une_colonne\"\u003e\n\u003cdiv class=\"paragraphe\"\u003e\n\u003cdiv class=\"paraphcont\"\u003e\n\u003cp\u003eBasma al-Sharif\u003cbr\u003eStefan Dotter\u003cbr\u003eAlexandre Haefeli\u003cbr\u003eLigia Lewis\u003cbr\u003eMiranda Barnes\u003cbr\u003eKincső Bede\u003cbr\u003eSteffani Jemison\u003cbr\u003eFormafantasma\u003cbr\u003eCharles Negre\u003cbr\u003eJoanna Piotrowska\u003cbr\u003eMaxime Imbert\u003cbr\u003ePippa Garner\u003cbr\u003eDiego Marcon\u003cbr\u003eHördur Ingason\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Bonjour Jacob","offers":[{"title":"Default Title","offer_id":53652806304082,"sku":"7595616","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0689\/0999\/0171\/files\/revue-21.jpg?v=1780665045"},{"product_id":"acne-paper-21","title":"Acne Paper #21","description":"\u003cp\u003eFor its twenty-first issue, Acne Paper presents\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAutoportrait\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e– a special edition celebrating 30 years of Acne Studios through a self-portrait of the creative world that has grown around the house since its founding in Stockholm in 1996.\u003c\/p\u003e\n\u003cp\u003eLooking across three decades of fashion, art, architecture, design, publishing and creative collaboration,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAutoportrait\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eexplores the cultural landscape that has shaped Acne Studios from the very beginning: independent, interdisciplinary and driven by curiosity rather than convention.\u003c\/p\u003e\n\u003cp\u003eThe cover, photographed by Carlijn Jacobs, styled by Imruh Asha and featuring Lulu Tenney, captures the spirit of the issue – artistic freedom, intimacy and joyfulness at the intersection of art and fashion. In a deliberate gesture, Tenney appears without clothing, underscoring the long-standing spirit of both Acne Paper and Acne Studios: an approach to image-making and publishing driven by culture, emotion and creative expression.\u003c\/p\u003e\n\u003cp\u003eAt the heart of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAutoportrait\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eare four self-portrait stories by Jordan Hemingway, Guinevere van Seenus, Malick Bodian and Katerina Jebb, alongside an Acne Studios archive story photographed by Casper Sejersen and styled by George Krakowiak.\u003c\/p\u003e\n\u003cp\u003eThe issue also features interviews with Sadie Coles, Honey Dijon, Max Lamb, Viviane Sassen, Robbie Barrat and Swedish actress Lena Endre, with essays by Natasha Fraser, Mark Holgate, Johanna Agerman Ross, Xerxes Cook, Ben Evans, Frances Armstrong Jones and Vince Aletti.\u003c\/p\u003e\n\u003cp\u003ePublished at a moment when creative independence feels increasingly rare,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAutoportrait\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ereflects on the remarkable position Acne Studios continues to occupy within the fashion landscape. Founded as a small creative collective in Stockholm, the company has remained independently owned for three decades – preserving a distinct cultural voice and a way of working shaped as much by art, architecture and publishing.\u003c\/p\u003e\n\u003cp\u003ePart celebration, part reflection,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAutoportrait\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis ultimately a portrait of the many artists, collaborators, friends and cultural figures who have helped shape the world of Acne Studios over the past thirty years. 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Plus, \u003cstrong\u003eChloe Aridjis\u003c\/strong\u003e profiles artist \u003cstrong\u003eDonna Huddleston\u003c\/strong\u003e ahead of her first solo show at Ortuzar in New York.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDossier: Four Love Letters to Printed Matter\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e‘Every book there carried hope, the basic human desire to be heard.’ In its landmark 50th year, artists and writers celebrate the cultural institution that reshaped the artists’ book.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eProfile: Donna Huddleston\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e‘The stand-in is steeped in the possibility of performance and the mix therein of desire, hope, disappointment, success.’ The former set designer reflects on the theatricality of self-presentation in her coloured pencil creations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eAlso featuring\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\"\u003eDaisy Lafarge \u003c\/span\u003e\u003c\/strong\u003e\u003cspan lang=\"EN-US\"\u003epens\u003cstrong\u003e \u003c\/strong\u003ea thematic essay on the aesthetics and politics of chronic illness in contemporary art contexts\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e In 1,500 words, \u003cstrong\u003eLiliana Porter \u003c\/strong\u003eremembers her close friend \u003cstrong\u003eAna Mendieta\u003c\/strong\u003e, touching on the artist’s enduring, earth-bound practice. \u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003ePlus, \u003cstrong\u003eOkiki Akinfe\u003c\/strong\u003e speaks with \u003cstrong\u003ePeter Davies\u003c\/strong\u003e about lasting influences and the politics of art schools as her debut solo institutional show opens at Peer Gallery, London.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eColumns: Portraiture\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\"\u003eCici Peng\u003c\/span\u003e\u003c\/strong\u003e\u003cspan lang=\"EN-US\"\u003e examines how \u003cstrong\u003eIain Forsyth\u003c\/strong\u003e and \u003cstrong\u003eJane Pollard\u003c\/strong\u003e’s\u003cstrong\u003e \u003c\/strong\u003eportrait of Marianne Faithfull in \u003cem\u003eBroken English\u003c\/em\u003e (2025) challenges notions of a fixed identity. \u003cstrong\u003eLisette May Monroe\u003c\/strong\u003e considers the intimate, autobiographical impulse of \u003cstrong\u003eChantal Joffe\u003c\/strong\u003e’s paintings. \u003cstrong\u003eZoë Hopkins\u003c\/strong\u003e traces how \u003cstrong\u003eLeilah Babirye\u003c\/strong\u003e’s scarred sculptures turn concealment into revelation. \u003cstrong\u003eKim Córdova\u003c\/strong\u003e outlines how \u003cstrong\u003eGabriele Stötzer\u003c\/strong\u003e’s photography reframes GDR surveillance as defiant portraiture. \u003cstrong\u003eP. 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Thank you for your understanding.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eFRAMES of RESISTANCE \u0026amp; HORIZONS of HOPE\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSometimes, all it takes is a change of perspective. COMBO aims to help visualize this place where dreams and hope are no longer a future possibility - they are the force which move us.  If you embody what you aspire to, you have already succeeded.\u003cbr\u003e \u003cbr\u003eContributors : \u003cbr\u003eWilliam Waterworth, Lou Doillon, Alice Mann, Eloïse Labarbe-Lafon, Alix Bortoli, Victor Rakosnik, Babette Robertson, Lily Vogt, Lisa Bootsani, Nina Koltchitskaia, Agata Ferrari Bravo, Marieke McKenna, Britt Parks, Ella Åström, Maxime Von Muralt, Zuza Kacperczyk, Claudia Renna, Fiona Blakeman, Francisce G. 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