{"product_id":"frieze-260","title":"Frieze #260","description":"\u003cp\u003e\u003cspan\u003e\u003cspan lang=\"EN-US\"\u003eFor the summer issue of \u003cem\u003efrieze\u003c\/em\u003e magazine, four contributors – \u003cstrong\u003eTravis Diehl, James Hoff, Jordan Nassar \u003c\/strong\u003eand\u003cstrong\u003e Rachel Valinsky\u003c\/strong\u003e – pen love letters to \u003cstrong\u003ePrinted Matter\u003c\/strong\u003e, the cult bookstore celebrating its 50th anniversary this year. Plus, \u003cstrong\u003eChloe Aridjis\u003c\/strong\u003e profiles artist \u003cstrong\u003eDonna Huddleston\u003c\/strong\u003e ahead of her first solo show at Ortuzar in New York.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDossier: Four Love Letters to Printed Matter\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e‘Every book there carried hope, the basic human desire to be heard.’ In its landmark 50th year, artists and writers celebrate the cultural institution that reshaped the artists’ book.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eProfile: Donna Huddleston\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e‘The stand-in is steeped in the possibility of performance and the mix therein of desire, hope, disappointment, success.’ The former set designer reflects on the theatricality of self-presentation in her coloured pencil creations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eAlso featuring\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\"\u003eDaisy Lafarge \u003c\/span\u003e\u003c\/strong\u003e\u003cspan lang=\"EN-US\"\u003epens\u003cstrong\u003e \u003c\/strong\u003ea thematic essay on the aesthetics and politics of chronic illness in contemporary art contexts\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e In 1,500 words, \u003cstrong\u003eLiliana Porter \u003c\/strong\u003eremembers her close friend \u003cstrong\u003eAna Mendieta\u003c\/strong\u003e, touching on the artist’s enduring, earth-bound practice. \u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003ePlus, \u003cstrong\u003eOkiki Akinfe\u003c\/strong\u003e speaks with \u003cstrong\u003ePeter Davies\u003c\/strong\u003e about lasting influences and the politics of art schools as her debut solo institutional show opens at Peer Gallery, London.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eColumns: Portraiture\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\"\u003eCici Peng\u003c\/span\u003e\u003c\/strong\u003e\u003cspan lang=\"EN-US\"\u003e examines how \u003cstrong\u003eIain Forsyth\u003c\/strong\u003e and \u003cstrong\u003eJane Pollard\u003c\/strong\u003e’s\u003cstrong\u003e \u003c\/strong\u003eportrait of Marianne Faithfull in \u003cem\u003eBroken English\u003c\/em\u003e (2025) challenges notions of a fixed identity. \u003cstrong\u003eLisette May Monroe\u003c\/strong\u003e considers the intimate, autobiographical impulse of \u003cstrong\u003eChantal Joffe\u003c\/strong\u003e’s paintings. \u003cstrong\u003eZoë Hopkins\u003c\/strong\u003e traces how \u003cstrong\u003eLeilah Babirye\u003c\/strong\u003e’s scarred sculptures turn concealment into revelation. \u003cstrong\u003eKim Córdova\u003c\/strong\u003e outlines how \u003cstrong\u003eGabriele Stötzer\u003c\/strong\u003e’s photography reframes GDR surveillance as defiant portraiture. \u003cstrong\u003eP. Eldridge\u003c\/strong\u003e speaks with \u003cstrong\u003eShu Lea Cheang\u003c\/strong\u003e about the way her work utilizes collective resilience to imagine another world.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan lang=\"EN-US\"\u003eFinally, \u003cstrong\u003eGeoff Dyer \u003c\/strong\u003elooks at how\u003cstrong\u003e Robert Adams \u003c\/strong\u003econstructed his enduring landscapes. \u003cstrong\u003eOkiki Akinfe \u003c\/strong\u003econtributes to our series of artists’ ‘to-do’ lists, and senior editor \u003cstrong\u003eVanessa Peterson \u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"PT\"\u003epens a postcard from \u003cstrong\u003eMilan\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Bonjour Jacob","offers":[{"title":"Default Title","offer_id":53797915754834,"sku":"X996322","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0689\/0999\/0171\/files\/Cover_frieze260-screen-no-barcode.webp?v=1781879397","url":"https:\/\/bonjourjacob.com\/en\/products\/frieze-260","provider":"Bonjour Jacob","version":"1.0","type":"link"}