{"product_id":"frieze-261","title":"Frieze #261","description":"\u003cp\u003e\u003cspan\u003eFor the September issue of \u003cem\u003efrieze \u003c\/em\u003emagazine, critic \u003cstrong\u003eSasha Frere-Jones\u003c\/strong\u003e profiles \u003cstrong\u003eJJJJJerome Ellis \u003c\/strong\u003eahead of the artist’s new exhibition at the Vienna Secession and Index, Stockholm. Plus, \u003cstrong\u003eLouis Fratino\u003c\/strong\u003e tells editor-in-chief \u003cstrong\u003eAndrew Durbin\u003c\/strong\u003e about confronting British modernism in his forthcoming solo show at David Zwirner in London.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eProfile: JJJJJerome Ellis\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e‘Ellis is an artist who does not accept the degradations that characterize the American approach to life.’ \u003cstrong\u003eSasha Frere-Jones\u003c\/strong\u003e considers how time and nature are thoughtfully handled in \u003cstrong\u003eJJJJJerome Ellis\u003c\/strong\u003e’s expansive oeuvre.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e1,500 Words: Like a Caress\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e‘How do I create something using a familiar subject or genre when it can seem like everything has already been said and done?’ \u003cstrong\u003eLouis Fratino\u003c\/strong\u003e grapples with the enduring question of what gives a painting its vitality.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eAlso featuring\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAhead of artist \u003cstrong\u003eLubna Chowdhary\u003c\/strong\u003e’s forthcoming show at Corvi-Mora, London, and her inclusion in British Art Show 10, she speaks with \u003cstrong\u003eAmrita Dhallu\u003c\/strong\u003e about the role of diasporic memory, chromophobia and connecting to inherited identity in her work. A thematic essay by \u003cstrong\u003eCassie Packard\u003c\/strong\u003e spotlights contemporary artists exploring the philosophy of space science to bring the cosmos closer to home. Plus, a dossier dedicated to \u003cstrong\u003efour galleries to watch in Seoul\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eColumns: Detritus\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\"\u003eEmily LaBarge \u003c\/span\u003e\u003c\/strong\u003e\u003cspan lang=\"EN-US\"\u003estudies the way absence materializes for sculptor \u003cstrong\u003eLiz Larner\u003c\/strong\u003e, ahead\u003cstrong\u003e \u003c\/strong\u003eof the artist’s first major institutional UK show at Camden Art Centre in London.\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003eKari Rittenbach\u003c\/strong\u003e outlines how \u003cstrong\u003eNandi Loaf\u003c\/strong\u003e retools obsolete technologies in her practice, while\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\"\u003eLydia Kallipoliti \u003c\/span\u003e\u003c\/strong\u003eexamines what happens when urban waste defiantly refuses to disappear.\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\"\u003eXenia Benivolski \u003c\/span\u003e\u003c\/strong\u003e\u003cspan lang=\"EN-US\"\u003eexplores how \u003cstrong\u003eAki Onda\u003c\/strong\u003e recycles fragmented radio signals to evoke the spiritual nature of cultural memory. \u003cstrong\u003eAhmad Azizy\u003c\/strong\u003e traces the supply chains of US military waste in \u003cstrong\u003eAziz Hazara\u003c\/strong\u003e’s project \u003cem\u003eComing Home\u003c\/em\u003e (2021–ongoing), on view in full for the first time at SculptureCenter, New York this month.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFinally, \u003cstrong\u003ePeter Brock \u003c\/strong\u003eresponds to \u003cstrong\u003eBrice Marden\u003c\/strong\u003e’s painting \u003cem\u003e4 (Bone)\u003c\/em\u003e (1987-88),\u003cstrong\u003e \u003c\/strong\u003eand for the back of the magazine, assistant editor \u003cstrong\u003eCassie Packard\u003c\/strong\u003e pens a postcard from \u003cstrong\u003eSanta Fe\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Bonjour Jacob","offers":[{"title":"Default Title","offer_id":54634226942290,"sku":"K993317","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0689\/0999\/0171\/files\/Cover_frieze261-screen-no-barcode.webp?v=1788967983","url":"https:\/\/bonjourjacob.com\/en\/products\/frieze-261","provider":"Bonjour Jacob","version":"1.0","type":"link"}